From Soil to Glass Case
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ID: 322038
2026
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Abstract
Abstract This chapter discusses the role of archaeology in current museum practice in state museums in China. It considers permanent exhibitions of prehistoric collections and displays of Neolithic pottery from China based on primary data collected during field research, including museum displays, interviews with museum staff, and questionnaires from museum visitors. The case of Neolithic pottery from China shows how public contemporary museums deliver a narrative account of Chinese civilisation which fulfils a social and political function. These narratives reinforce nationalistic values, strengthen cultural identity, and legitimise China’s claim to international recognition as a world civilisation. The practice of archaeology, as a scientific discipline, lends credibility to the narratives presented in such exhibitions, which are further legitimised by the museum’s authority. This study sheds light on the contemporary museological function of Chinese archaeology and the different narratives on the prehistoric past constructed within public museums. A sense of pride is triggered by archaeological heritage as a unifying force in the national network of public museums, articulating a view of Chinese culture as diverse and also unitary, celebrating local cultures, and promoting harmonious values. Public museums foster a sense of cultural strength and awareness, letting visitors identify with values emanating from and attested by their archaeological heritage. The chapter clarifies how exhibitions of the Neolithic past intersect with broader political, cultural, and social narratives about Chinese civilisation in the present era of economic neoliberalism, cultural diplomacy, and a booming heritage industry.
| Reference Key |
openalex_W7170078002
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|---|---|
| Authors | Sofia Bollo |
| Journal | Oxford University Press eBooks |
| Year | 2026 |
| DOI |
10.1093/oxfordhb/9780197800324.013.0045
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| URL | |
| Keywords | Keywords not found |
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