Experiencing Empathy through Music (after Edith Stein)

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ID: 318158
2026
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Abstract
Abstract How is it that, at moments of music listening, we might experience the sense of a living subject arising out of the movement of melody? Rather than seek the origin of this phenomenon in an imagined encounter with the person of a composer or performer, this article focuses on the temporal unfolding of melody, reading Edith Stein’s On the Problem of Empathy together with Edmund Husserl’s On the Phenomenology of the Consciousness of Internal Time (1893–1917). Using a discussion of memory to elucidate the structures of internal time-consciousness that underpin the experience of empathy, the article situates the expression of melody at the very intersection of the flowing potential and actualized moments of a living subject.
Reference Key
openalex_W7165528539 Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Jessica Wiskus
Journal Oxford University Press eBooks
Year 2026
DOI
10.1093/oxfordhb/9780197577844.013.17
URL
https://doi.org/10.1093/oxfordhb/9780197577844.013.17
Keywords Keywords not found

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