relato policial y el crimen que lo habita
Clicks: 164
ID: 260015
2011
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This
article has not been analysed, so there is no overall score —
reader engagement is measured and shown alongside.
Reader Engagement
Steady Performance
30.0
/100
164 views
29 readers
AI Quality Assessment
Not analyzed
Readership in this journal
SteadyRanked #44 of 184 articles by views in European journal of nuclear medicine and molecular imaging
Most read
Least read
Bar heights use a square-root scale. Only the 120 most-read articles are drawn; the journal has 184 in total.
Mint this article as an NFT
Not yet mintedCreate a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.
5
SUSD
one-off · no wallet required
Abstract
La aparición de publicidad y de novelas en serie en las portadas de periódicos franceses, a partir de 1836, marca la relación entre el género policial y los nuevos modos de visibilidad de la información en las sociedades industrializadas. Algunos ejemplos, tomados de un periódico de la época, la “Gazette des Tribunaux”, permiten demostrar que la prensa estuvo desde sus comienzos vinculada a la literatura, si acaso no es una derivación de ella. E.A. Poe, creador del relato policial, conduce la retórica del morbo trabajada por Dante, Swift, Lautréamont y Baudelaire, de una apelación al lector, al orden del argumento y del procedimiento que lo estructura. En el relato policial conviven el discurso de lo que se cuenta, característico de la literatura, y el de la ciencia, pero solo en apariencia éste viene a suplantar a aquél, configurando de este modo su retórica.
The emergence of publicity and of serialized novels in the covers of French newspapers, since 1836, characterizes the relation between crime story and new modes of visibility for information in industrialized societies. A few examples, coming from a journal of that time, the “Gazette des Tribunaux”, allow us to demonstrate that journalism was from the beginning related to literature, if it is not a derivation from it. Edgar Allan Poe, creator of crime story, leads the rhetoric of morbid fascination developed by Dante, Swift, Lautréamont and Baudelaire, from an appeal to the reader, toward the order of argument and the procedure that provides its structure. In crime story the discourse of what is told, that characterizes literature, and the discourse of science, live together, but the latter takes the place of the former only apparently, shaping in this way its rhetoric.
The emergence of publicity and of serialized novels in the covers of French newspapers, since 1836, characterizes the relation between crime story and new modes of visibility for information in industrialized societies. A few examples, coming from a journal of that time, the “Gazette des Tribunaux”, allow us to demonstrate that journalism was from the beginning related to literature, if it is not a derivation from it. Edgar Allan Poe, creator of crime story, leads the rhetoric of morbid fascination developed by Dante, Swift, Lautréamont and Baudelaire, from an appeal to the reader, toward the order of argument and the procedure that provides its structure. In crime story the discourse of what is told, that characterizes literature, and the discourse of science, live together, but the latter takes the place of the former only apparently, shaping in this way its rhetoric.
| Reference Key |
undurraga2011revistarelato
Use this key to autocite in the manuscript while using
SciMatic Manuscript Manager or Thesis Manager
|
|---|---|
| Authors | ;Francisco de Undurraga |
| Journal | European journal of nuclear medicine and molecular imaging |
| Year | 2011 |
| DOI |
DOI not found
|
| URL | |
| Keywords |
Citations
No citations found. To add a citation, contact the admin at info@scimatic.org
Comments
No comments yet. Be the first to comment on this article.