george herbert’s the temple: a religious rhyme or political poetry?

Clicks: 100
ID: 230971
2017
Free PDF
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This article has not been analysed, so there is no overall score — reader engagement is measured and shown alongside.
AI Quality Assessment
Not analyzed
Readership in this journal
Emerging

Ranked #109 of 115 articles by views in neuropeptides

Most read Least read

Bar heights use a square-root scale.

Mint this article as an NFT
Not yet minted

Create a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.

5 SUSD one-off · no wallet required
Sign in to mint
Abstract
George Herbert’s retreat from a political path and a turn towards a religious route has created a perception that the poet and priest had separated himself from politics. His magnum opus, The Temple, corroborates such a point of view with it verses coated with poetic praises and surrounded by biblical allusions, morals and confessions. Within Foucauldian perspective, this study peruses a different path of repainting the picture of the pious priest into a political poet, highlighting how his religious intentions were not separated from political influence. This paper highlights the inseparable bond between politics and religion in the Jacobean Era by analysing how the regimes of truth play its part in shaping the poet’s discourse.
Reference Key
babagolzadeh2017internationalgeorge Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Reza Babagolzadeh;Mahdi Shafieyan
Journal neuropeptides
Year 2017
DOI
10.7575/aiac.ijalel.v.6n.5p.144
URL
http://www.journals.aiac.org.au/index.php/IJALEL/article/view/3418
Keywords
linguisticsenglish literature discoursephilology

Citations

No citations found. To add a citation, contact the admin at info@scimatic.org

Comments

No comments yet. Be the first to comment on this article.