el pasaje como modus operandi: perspectivas simultáneas y recíprocamente excluyentes en los ingrávidos de valeria luiselli
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ID: 223342
2015
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Abstract
El presente artículo realiza un estudio del pasaje como tema y procedimiento clave en Los ingrávidos de Valeria Luiselli –obra reclamada por la crítica pero poco trabajada. La novela se deja leer a partir de este motivo, que se reitera al nivel de la forma, de la trama y de su afiliación poética. Esta última cuestión se abordará a través de una doble lectura de la obra, primero, en relación con la literatura fantástica latinoamericana y, luego, en relación con el hiperrealismo norteamericano de las artes plásticas. Por último, proponiendo un marco de comprensión para Los ingrávidos, relacionamos la obra con las reflexiones de Nicolas Bourriaud acerca del arte contemporáneo radicante. Así, se alumbrarán tanto la constitución de un espacio narrado como de un territorio cultural luiselliano.
This article explores passages as a key motif and organizing structure in Valería Luiselli’s Los ingrávidos, a work praised by the critics, but so far, neglected by the scholars. The novel lends itself to a reading that focuses on this theme tracing its reiteration at the level of form, plot, and aesthetical affiliation. The latter element is addressed through a twofold analysis of relation to Latin American fantastic literature and to North American hyperrealism in the visual arts. Finally, by relating Los ingrávidos to Nicolas Bourriaud’s ideas on the radicant contemporary art, the article situates the novel within a broader context, which permits an appreciation for the constitution of Luiselli’s narrated space and her cultural territory.
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pape2015revistael
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| Authors | ;Maria Pape |
| Journal | European journal of nuclear medicine and molecular imaging |
| Year | 2015 |
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