victoria ocampo y la música: una experiencia social y estética de la modernidad victoria ocampo and music: a social and aesthetic experience of modernism

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ID: 204033
2007
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Abstract
La música constituyó un núcleo sustancial de la experiencia estética de Victoria Ocampo (Buenos Aires, 1890-1979). Su sensibilidad musical se expandió desde el ámbito del goce privado hacia el escenario social donde desplegó una intensa acción en la gestión institucional y el mecenazgo, en la interpretación como recitante, en la escritura, en la edición -en Sur, revista y editorial. Sus mayores esfuerzos estuvieron dirigidos a la promoción, desde mediados de la década de 1920, de la modernidad en sus distintas manifestaciones, incluida la música, en Buenos Aires, para lo cual contó con el concurso de sus amigos personales Ernest Ansermet e Igor Stravinsky, así como de compositores locales comojuanjosé Castro
Music was central to the aesthetic experience of Victoria Ocampo (Buenos Aires, 1890-1979). Her musical sensitivity moved beyond the private space of enjoyment into the social scene, where she developed an intense activity as patroness, player (narrator), writer and editor of Sur, which was both a literary review and a publishing house. Starting, beginning in the mid-1920's, her main concern was the promotion of modernism in Buenos Aires. Her musical collaborators in this endeavour were her friends Ernest Ansermet, Igor Stravinsky, and Juan José Castro, the Argentinian composer and conductor
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Authors ;Omar Corrado
Journal ieee internet computing
Year 2007
DOI
DOI not found
URL
http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0716-27902007000200002
Keywords
modernity sur

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