dos metonimias de neruda y parra: el bolero y la cueca

Clicks: 226
ID: 198424
2011
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This article has not been analysed, so there is no overall score — reader engagement is measured and shown alongside.
AI Quality Assessment
Not analyzed
Readership in this journal
Popular

Ranked #16 of 184 articles by views in European journal of nuclear medicine and molecular imaging

Most read Least read

Bar heights use a square-root scale. Only the 120 most-read articles are drawn; the journal has 184 in total.

Mint this article as an NFT
Not yet minted

Create a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.

5 SUSD one-off · no wallet required
Abstract
Bolero y cueca se proponen como metonimias de una prosodia y sintaxis poética empleada por Neruda en Veinte poemas de amor y una canción desesperada y por Parra en La cueca larga y Artefactos. Trabajo fundamentalmente con el ritmo y la melodía de los versos superando la división entre lengua y música.
"La cueca" and "el bolero" are musical forms proposed as metonymies of a poetic prosody and syntax in Neruda's Veinte poemas de amor y una canción desesperada, and in Parra's La cueca larga and Artefactos. This work focuses mainly on the rhythmic and melodic substance of the verses, thus surpassing a division between language and music.
Reference Key
rodrguez2011revistados Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Mario Rodríguez
Journal European journal of nuclear medicine and molecular imaging
Year 2011
DOI
DOI not found
URL
Keywords

Citations

No citations found. To add a citation, contact the admin at info@scimatic.org

No comments yet. Be the first to comment on this article.