dos metonimias de neruda y parra: el bolero y la cueca
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2011
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Abstract
Bolero y cueca se proponen como metonimias de una prosodia y sintaxis poética empleada por Neruda en Veinte poemas de amor y una canción desesperada y por Parra en La cueca larga y Artefactos. Trabajo fundamentalmente con el ritmo y la melodía de los versos superando la división entre lengua y música.
"La cueca" and "el bolero" are musical forms proposed as metonymies of a poetic prosody and syntax in Neruda's Veinte poemas de amor y una canción desesperada, and in Parra's La cueca larga and Artefactos. This work focuses mainly on the rhythmic and melodic substance of the verses, thus surpassing a division between language and music.
"La cueca" and "el bolero" are musical forms proposed as metonymies of a poetic prosody and syntax in Neruda's Veinte poemas de amor y una canción desesperada, and in Parra's La cueca larga and Artefactos. This work focuses mainly on the rhythmic and melodic substance of the verses, thus surpassing a division between language and music.
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rodrguez2011revistados
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| Authors | ;Mario Rodríguez |
| Journal | European journal of nuclear medicine and molecular imaging |
| Year | 2011 |
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