"todas las caperucitas rojas se vuelven lobos en la práctica pospornográfica" "all little red riding hoods become wolves in post-pornographic practices"
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2012
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Abstract
La teoría feminista ha construido una crítica particular de la pornografía que está lejos de ser uniforme y toma el carácter de un debate. Sus orígenes tienen lugar en Estados Unidos a finales de los setenta, en donde se consolidan dos posiciones: una antipornografía y otra pro-sex. En España, autoras como Raquel Osborne y Dolores Juliano asumen la segunda postura, abonando el terreno para la consolidación del porno-feminismo, que intenta eliminar los sesgos androcéntricos del discurso pornográfico, produciendo pornografía con fines adicionales al masturbatorio.
Feminist theory has constructed a particular criticism of pornography that is far from being uniform and takes the character of a debate. Its origins take place in the U.S. in the late seventies, where two positions consolidate: an anti-pornography and a pro-sex. In Spain authors like Raquel Osborne and Dolores Juliano assume the second posture, creating grounds for the consolidation of porn-feminism, which tries to eliminate andocentric biases of the pornographic speech, producing pornography with additional purposes besides the masturbatory.
Feminist theory has constructed a particular criticism of pornography that is far from being uniform and takes the character of a debate. Its origins take place in the U.S. in the late seventies, where two positions consolidate: an anti-pornography and a pro-sex. In Spain authors like Raquel Osborne and Dolores Juliano assume the second posture, creating grounds for the consolidation of porn-feminism, which tries to eliminate andocentric biases of the pornographic speech, producing pornography with additional purposes besides the masturbatory.
| Reference Key |
prada2012cadernos"todas
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|---|---|
| Authors | ;Nancy Prada |
| Journal | molecular microbiology |
| Year | 2012 |
| DOI |
10.1590/S0104-83332012000100005
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| URL | |
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