there is no place like home – the house as confinement, character and idealized space in the movie pride and prejudice

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ID: 180341
2013
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Abstract
This paper analyzes three ways in which the figure of the house is represented in the 2005's film version of  the book Pride and Prejudice: as a space of confinement, as a character and as idealized space of affection. To serve as a support for the analysis of this adaptation of one of Jane Austen's books, we use the theories of film and mass culture and feminist theories. To look on the cinematic language of the audiovisual work allows us to show how, far from being an idealized and pacified space as the film tries to present, the figure of the house is usurped of all other meanings in the narrative and especially in the story of the female characters, to offer a fictional strengthening of the patriarchal view of the house as the only space allowed to heroin, which is allowed to move in very different spaces from those covered by the male hero.
Reference Key
barbosa2013anuriothere Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Karina Gomes Barbosa
Journal south african journal of human resource management
Year 2013
DOI
10.5007/2175-7917.2013v18n1p128
URL
https://periodicos.ufsc.br/index.php/literatura/article/view/24071
Keywords
casa happy endlanguage and literatureliterature (general)

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