apontamentos sobre vieses alienantes nos versos da música popular brasileira = points about the alienation verses in the brazilian popular music
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ID: 156374
2011
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Abstract
Por meio da análise de algumas fases e estilos da música popular brasileira surgidos entre os anos 50 e 80, o presente artigo busca identificar alguns vieses alienantes presentes nas letras de canções compostas dentre os estilos citados. Tem-se como pressuposto o conceito de alienação fundamentado em Marx, traduzido enquanto fenômeno que implique no distanciamento do homem de sua realidade, bem como a concepção de indústria cultural fundamentada em Adorno. A análise de letras de música também fez parte do Cinema Universitário no Projeto de Extensão Formação Continuada de Egressos e Licenciados do "Campus" Universitário do Vale do Teles Pires. O artigo aponta para a necessidade de maior observação por parte da sociedade e principalmente por parte dos educadores no que se refere aos traços alienantes e/ou voltados exclusivamente para o consumo em massa que a produção musical muitas vezes pode assumir, tendo-se em vista a análise crítica desse cenário com vistas à construção de uma cidadania cultural.
Through analysis of some phases and styles in Brazilian popular music that emerged between the 1950s and 80s, this article seeks to identify some alienating biases in the lyrics of songs written in the styles mentioned. The study assumes the concept of alienation found in Marx, translated as a phenomenon involving the alienation of man from his reality, as well as the development of a cultural industry as defined by Adorno. The analysis of lyrics was also part of the Cinema in the University Extension Project of Continuing Education Alumni and Graduates of Vale do Teles Pires Campus. The article points to the need for more observation on the part of society and especially by educators, with regard to alienating traits and/or those intended exclusively for mass consumption, which music production can often assume, keeping in mind a critical analysis of this scenario in order to construct a cultural citizenship.
Through analysis of some phases and styles in Brazilian popular music that emerged between the 1950s and 80s, this article seeks to identify some alienating biases in the lyrics of songs written in the styles mentioned. The study assumes the concept of alienation found in Marx, translated as a phenomenon involving the alienation of man from his reality, as well as the development of a cultural industry as defined by Adorno. The analysis of lyrics was also part of the Cinema in the University Extension Project of Continuing Education Alumni and Graduates of Vale do Teles Pires Campus. The article points to the need for more observation on the part of society and especially by educators, with regard to alienating traits and/or those intended exclusively for mass consumption, which music production can often assume, keeping in mind a critical analysis of this scenario in order to construct a cultural citizenship.
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siebiger2011actaapontamentos
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| Authors | ;Ralf Hermes Siebiger;Egeslaine de Nez |
| Journal | jurnal resti (rekayasa sistem dan teknologi informasi) |
| Year | 2011 |
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| Keywords | Keywords not found |
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