transakcyjny model dzieła muzycznego w późnej twórczości mortona feldmana
Clicks: 6
ID: 155821
2016
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This
article has not been analysed, so there is no overall score —
reader engagement is measured and shown alongside.
Reader Engagement
Steady Performance
1.5
/100
6 views
5 readers
AI Quality Assessment
Not analyzed
Readership in this journal
SteadyRanked #31 of 34 articles by views in journal of the chemical society, faraday transactions 1: physical chemistry in condensed phases
Most read
Least read
Bar heights use a square-root scale.
Mint this article as an NFT
Not yet mintedCreate a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.
5
SUSD
one-off · no wallet required
Abstract
The aim of the article is to show the open nature of Morton Feldman’s late works despite the traditional form in which they were written. The analysis has been set in a wide context, including music, art and literature as well as philosophy and science.
| Reference Key |
binkowski2016avant:transakcyjny
Use this key to autocite in the manuscript while using
SciMatic Manuscript Manager or Thesis Manager
|
|---|---|
| Authors | ;Damian Binkowski |
| Journal | journal of the chemical society, faraday transactions 1: physical chemistry in condensed phases |
| Year | 2016 |
| DOI |
10.26913/70102016.0111.0008
|
| URL | |
| Keywords |
Citations
No citations found. To add a citation, contact the admin at info@scimatic.org
Comments
No comments yet. Be the first to comment on this article.