metaficció irònica a «estremida memòria», de jesús moncada

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ID: 155711
2014
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Ranked #10 of 64 articles by views in brazilian archives of biology and technology

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Abstract
The reception of Jesús Moncada’s work at the beginning of his literary career was determined by the debate between «rural novel» and «urban novel», up to the point of directing its reading towards an elegiac dimension, at the expense of other distinctive traits of greater importance. In this sense, Moncada’s work has been understood, in an almost exclusive way, as a literary recording of the collective memory. The present article suggests a different reading of «Estremida memòria», in order to discover the essenciality of the irony in the author’s world, in this case, through the characteristic procedures of metafiction: metalepsi and metatextuality. The recreation of Mequinenza’s history is in the background, according to the reflection on the process of writing and on the mechanisms of capturing and reproducing this reality by means of Literature
Reference Key
soldevila2014caplletra:metaficci Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Carme Gregori Soldevila
Journal brazilian archives of biology and technology
Year 2014
DOI
10.7203/caplletra.41.4833
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