pierre bayard: hacia una crítica policial
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ID: 147363
2016
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Abstract
El siguiente artículo describe y problematiza la noción de crítica policial que podemos encontrar en un recorrido de la trilogía del autor francés Pierre Bayard compuesta por los libros Qui a tué Roger Ackroyd? (1998), Enquête sur Hamlet (2002) y L’affaire du chien des Baskerville (2008). Nos proponemos analizar el concepto de crítica policial con el objetivo de estudiar su impacto sobre conceptos propios de la teoría literaria como lectura, género, interpretación y marco de referencia, a los fines de problematizar la siguiente hipótesis: la crítica policial supone una operación interpretativa que lee una y otra vez la misma historia: la alegoría de la lectura.
Palabras clave: crítica policial, lectura, género, marco de referencia, identidad.
The following paper describes and problematizes the notion of detective criticism that can be found in the trilogy by the French author Pierre Bayard which includes the books Qui a tué Roger Ackroyd? (1998), Enquête sur Hamlet (2002), and L’affaire du chien des Baskerville (2008). We are interested in analyzing the concept of detective criticism with the aim of studying its impact on concepts from literary theory such as reading, genre, interpretation, and frame of reference so that we can problematize the following hypothesis: detective criticism implies an interpretative operation which reads over and over the same story: the allegory of reading.
Keywords: Detective Criticism, Reading, Genre, Frame of Reference, Identity.
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garayalde2016revistapierre
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| Authors | ;Nicolás Garayalde |
| Journal | European journal of nuclear medicine and molecular imaging |
| Year | 2016 |
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