lições de roteiro, por jlg lessons on screenplay writing, by jlg
Clicks: 8
ID: 144764
2003
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Abstract
Se ao roteiro escrito cabe o mérito de ter permitido o apogeu do cinema clássico hollywoodiano e os grandes momentos de diálogo do cinema francês, a tradição de escrever previamente o que se vai filmar é, em contrapartida, responsável pela hegemonia de narrativas fechadas, de tipo aristotélico, baseadas na identificação psicológica, narrativas que já trazem em si a solução dos problemas apresentados e que, por isso mesmo, inibem uma relação didática do espectador com o filme. A partir da análise de um roteiro construído com imagens e sons, Roteiro do filme "Paixão" (Godard, 1982), avaliamos aqui as contribuições de uma escrita dessa natureza para uma participação ativa do espectador no texto fílmico. Avaliamos também os resultados de uma oficina de roteiro inspirada na pedagogia godardiana.
If written screenplay allowed the apogee of the classic Hollywood cinema and the great moments of dialogue of the French cinema, the tradition to write previously what will be filmed also gave rise to closed narratives based on psychological identification, in the Aristotelian model. These narratives already carry the solution of their own problems, thus inhibiting any didactic relation between the spectators and the movie. Analyzing Screenplay from the film Passion (Godard, 1981), constructed with images and sound, we assess the contributions of this type of writing to an active participation of the spectators in the film text. We also evaluate the results of a screenwriting workshop inspired in the Godardian pedagogy.
If written screenplay allowed the apogee of the classic Hollywood cinema and the great moments of dialogue of the French cinema, the tradition to write previously what will be filmed also gave rise to closed narratives based on psychological identification, in the Aristotelian model. These narratives already carry the solution of their own problems, thus inhibiting any didactic relation between the spectators and the movie. Analyzing Screenplay from the film Passion (Godard, 1981), constructed with images and sound, we assess the contributions of this type of writing to an active participation of the spectators in the film text. We also evaluate the results of a screenwriting workshop inspired in the Godardian pedagogy.
| Reference Key |
leandro2003educaolies
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|---|---|
| Authors | ;Anita Leandro |
| Journal | current computer-aided drug design |
| Year | 2003 |
| DOI |
10.1590/S0101-73302003000200019
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| URL | |
| Keywords | Keywords not found |
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