intertextos y memoria en juana de manuela infante
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ID: 142730
2010
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Abstract
La obra de Manuela Infante es una de las más interesantes del teatro chileno emergente de la última década, por su contenido autorreflexivo y amplio espectro de alusiones culturales. En su pieza Juana (2004) destacan las referencias a obras de Vicente Huidobro, Rodolfo Usigli y Bernard Shaw, que vinculan la concepción dramática de esta joven dramaturga chilena con los postulados estéticos y filosóficos de estos autores, en los que convergen arte, mito y memoria. Se estudiará la reelaboración de la figura de Juana de Arco en la obra mencionada a la luz de estos intertextos, para demostrar que el “trabajo de la memoria” histórica que realizan Infante y la Compañía Teatro de Chile, tiene fundamentos en una sólida tradición latinoamericana y europea.
The plays of Manuela Infante may be considered some of the most interesting works when we study the new Chilean drama of the last decade, both because of their introspective contents and because of the wide range of cultural allusions to be found in her plays. In her piece Juana (2004), we find significant references to the works of Vicente Huidobro, Rodolfo Usigli and Georges Bernard Shaw, thus establishing a relationship between the dramatic conceptions of this young Chilean playwright and the philosophical and esthetic tenets of those authors: there we may find a convergence of art, myth and memory. In this essay we will study the reworking of the character of Joan of Arc in the already mentioned play Juana, and we will explore the importance of these intertexts in order to show that the ‘works of historical memory’ to be found in Infante and the Compañía Teatro Club is founded on a solid Latin American and European tradition.
The plays of Manuela Infante may be considered some of the most interesting works when we study the new Chilean drama of the last decade, both because of their introspective contents and because of the wide range of cultural allusions to be found in her plays. In her piece Juana (2004), we find significant references to the works of Vicente Huidobro, Rodolfo Usigli and Georges Bernard Shaw, thus establishing a relationship between the dramatic conceptions of this young Chilean playwright and the philosophical and esthetic tenets of those authors: there we may find a convergence of art, myth and memory. In this essay we will study the reworking of the character of Joan of Arc in the already mentioned play Juana, and we will explore the importance of these intertexts in order to show that the ‘works of historical memory’ to be found in Infante and the Compañía Teatro Club is founded on a solid Latin American and European tradition.
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| Authors | ;Eduardo Thomas Dublé |
| Journal | European journal of nuclear medicine and molecular imaging |
| Year | 2010 |
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| Keywords | Keywords not found |
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