te lo prometo: desplazamiento, t(r)opos y utopÍa en la dramaturgia de maritza nÚÑez
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ID: 141741
2006
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Abstract
Por medio de una serie de referencias -estilísticas, anecdóticas y estructurales- a un proceso de construcción subjetiva no concluido, Maritza Núñez propone en su dramaturgia nuevas posibilidades de pronunciamiento -en un lugar espaciotemporal por venir- a ciertos constructos femeninos emergentes, nómadas y, por extensión, apátridas. Tanto en A la luz de la oscuridad (1998), como en Sueños de una tarde dominical (2000), la autora subvierte las herramientas tradicionales de delimitación del espacio geográfico y, por medio de la exhibición de su carácter arbitrario, agrieta nociones como las de Patria, territorio nacional o lugar de pertenencia, hasta ponerlas al alcance de sujetos en movimiento, anómalos y difícilmente (re)presentables dentro de los límites de la lógica. Entonces, se sugiere leer la escritura teatral de Maritza Núñez como una propuesta profundamente utópica basada en una poética de la resistencia, de la filiación arbitraria y del derecho a la construcción subjetiva. Asimismo, supone la búsqueda de un lenguaje propio, inentendible desde cualquier lugar de poder y, por extensión, imposible de ser descifrado, apropiado, ni normatizado (Deleuze y Guattari, 1978). Es decir, se trata de encontrar en estos textos una reescritura -en los márgenes de la lógica- de la Historia, de las relaciones causales y de la memoria
By means of a series of references -stylistic, anecdotal, and structural- to a process of unconcluded subjective construction, M. Núñez proposes new possibilities of formulation -in a still-to-come place- for certain emerging femenine constructs, nomadic, and in consequence, stateless. In "A la luz de la oscuridad" (1998), as much as in "Sueño de una tarde dominical" (2000), the author subverts the traditional tools that serve to establish the boundaries of geographic space and, through the exhibition of her arbitrary character, undermines such notions as country, national territory, and place of belonging, until she puts them within the reach of the subject in movement, anomalous and hard to represent within the limits of logic. It is therefore suggested to read the theatrical writing of M. Núñez as a profoundly utopian proposal, based on a poetic of resistance, or arbitrary affiliation and with the right to a subjective construction. It also presupposes The search a language of her own, understandable from any position of power and, by extension, impossible to be deciphered, appropiated or normed (Deleuze & Guattari, 1978). That is to say, it is about trying to find in these texts, a re-writing- on the margins of logic- of the history of causal relations and of memory
By means of a series of references -stylistic, anecdotal, and structural- to a process of unconcluded subjective construction, M. Núñez proposes new possibilities of formulation -in a still-to-come place- for certain emerging femenine constructs, nomadic, and in consequence, stateless. In "A la luz de la oscuridad" (1998), as much as in "Sueño de una tarde dominical" (2000), the author subverts the traditional tools that serve to establish the boundaries of geographic space and, through the exhibition of her arbitrary character, undermines such notions as country, national territory, and place of belonging, until she puts them within the reach of the subject in movement, anomalous and hard to represent within the limits of logic. It is therefore suggested to read the theatrical writing of M. Núñez as a profoundly utopian proposal, based on a poetic of resistance, or arbitrary affiliation and with the right to a subjective construction. It also presupposes The search a language of her own, understandable from any position of power and, by extension, impossible to be deciphered, appropiated or normed (Deleuze & Guattari, 1978). That is to say, it is about trying to find in these texts, a re-writing- on the margins of logic- of the history of causal relations and of memory
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| Authors | ;Mariana Libertad Suárez |
| Journal | European journal of nuclear medicine and molecular imaging |
| Year | 2006 |
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