os objetos ativos de willys de castro
Clicks: 16
ID: 131470
2006
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This
article has not been analysed, so there is no overall score —
reader engagement is measured and shown alongside.
Reader Engagement
Steady Performance
4.5
/100
16 views
2 readers
AI Quality Assessment
Not analyzed
Readership in this journal
SteadyRanked #83 of 135 articles by views in journal of theoretical and applied information technology
Most read
Least read
Bar heights use a square-root scale. Only the 120 most-read articles are drawn; the journal has 135 in total.
Mint this article as an NFT
Not yet mintedCreate a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.
5
SUSD
one-off · no wallet required
Abstract
WILLYS DE CASTRO desenvolveu os Objetos ativos (1959-1962) durante o período neoconcreto. A partir da lingüística de Ferdinand de Saussure e do conceito de "desconstrução" de Jacques Derrida, este artigo defende que a originalidade dessa série de objetos encontra-se na inscrição de "signos". Assim, a análise visual e semântica da descoberta do artista - tais como o "motivo positivo-negativo" e a ênfase na tridimensionalidade do suporte, realizadas em Soma entre planos I (1959), Objeto ativo de 1959, Objeto ativo de 1960 e Objeto ativo de 1962 - demonstra que esses signos representam mudanças sucessivas de registros pictóricos e escultóricos. Concluímos que a unidade desses trabalhos reside na convergência para o "paradigma da perspectiva", para declinarem as versões correlativas de pintura e escultura.
WILLYS DE CASTRO has developed the Objetos ativos (1959-1962) during the neoconcrete phase. In accordance with Ferdinand de Saussure's linguistics and Jacques Derrida's concept of "deconstruction", this article supports the idea that the originality of this series of objects is based on the inscription of "signs". Thus, the visual and semantic analysis of the artist's discoveries - such as the "positive-negative motif" and the emphasis on the tridimensionality of the support, achieved in Soma entre planos I (1959), Objeto ativo de 1959, Objeto ativo de 1960 and Objeto ativo de 1962 - shows that these signs represent consecutive changes of pictorial and sculptural readings. We conclude that the unity of these works is found in the convergence to the "paradigm of perspective" to decline the correlative versions of painting and sculpture.
WILLYS DE CASTRO has developed the Objetos ativos (1959-1962) during the neoconcrete phase. In accordance with Ferdinand de Saussure's linguistics and Jacques Derrida's concept of "deconstruction", this article supports the idea that the originality of this series of objects is based on the inscription of "signs". Thus, the visual and semantic analysis of the artist's discoveries - such as the "positive-negative motif" and the emphasis on the tridimensionality of the support, achieved in Soma entre planos I (1959), Objeto ativo de 1959, Objeto ativo de 1960 and Objeto ativo de 1962 - shows that these signs represent consecutive changes of pictorial and sculptural readings. We conclude that the unity of these works is found in the convergence to the "paradigm of perspective" to decline the correlative versions of painting and sculpture.
| Reference Key |
silva2006estudosos
Use this key to autocite in the manuscript while using
SciMatic Manuscript Manager or Thesis Manager
|
|---|---|
| Authors | ;Renato Rodrigues da Silva |
| Journal | journal of theoretical and applied information technology |
| Year | 2006 |
| DOI |
10.1590/S0103-40142006000100017
|
| URL | |
| Keywords | Keywords not found |
Citations
No citations found. To add a citation, contact the admin at info@scimatic.org
Comments
No comments yet. Be the first to comment on this article.