Beckett’s Queer Atavism

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ID: 89269
2019
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Abstract
Queer readings of Samuel Beckett’s antipathy to reproduction have focused on his refusal of futurity. This essay expands on previous studies of anti-futurity in Beckett’s work by exploring his fascination with atavism, regression, and decadence. Beckett’s anti-vitalist modernism departs from James Joyce’s preoccupation with the fruitful potentialities of the degenerate body; from his early story “Echo’s Bones” to his final full-length novel How It Is, he links atavism to the queer refusal of generative life. By extension, Beckett’s “queer atavism” presents a striking alternative to recent neovitalist affirmations of the inhuman in queer theory and modernist studies.  
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Authors Heffer, Byron;
Journal estudios irlandeses
Year 2019
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