Richard Murphy: Autobiography and the Connemara landscape

Clicks: 363
ID: 77972
2015
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Abstract
It could be argued that an important feature of Richard Murphy’s work, and of his identity as a poet is the relationship between the creative self and a particular place, where ‘place’ should be understood as referring not just to physical qualities of the natural environment, but in a broader sense to denote an environment in which everything is interrelated and connected, and in which there is no sharp division between the natural and the human. The landscape providing inspiration for Murphy’s poetic imagination is the landscapes and seascapes of Connemara in north-west Ireland. In 1959 he settled in this environment which was to be his base for the next 20 years and from this period and this location emanated the bulk of his poetic oeuvre. For Murphy committing to a life of writing poetry necessarily means being in the Connemara landscape. Returning to this environment in adulthood represents a quest for recovering childhood feelings, of belonging and love, as connected to particular places. Murphy’s Connemara poems could be read as an account of this process of re-placement, as a type of autobiographical text in which the artist creates a ‘double portrait’: in writing about the landscape he also writes about himself, creating a place-portrait which is, at the same time, a self-portrait.
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meihuizen2015richardliterator Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Meihuizen, Elsa;
Journal literator
Year 2015
DOI
DOI not found
URL
https://literator.org.za/index.php/literator/article/view/1183
Keywords
Education Language. Linguistic theory. Comparative grammar Literature (General) semantics history of scholarship and learning. the humanities social sciences language and literature theory and practice of education african languages and literature

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