“And Thou, all-Shaking Thunder…”A Theological Notation to Lines 1–38 of King Lear, Act III, Scene II
Clicks: 261
ID: 61083
2017
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This
article has not been analysed, so there is no overall score —
reader engagement is measured and shown alongside.
Reader Engagement
Steady Performance
62.5
/100
261 views
162 readers
Trending
AI Quality Assessment
Not analyzed
Readership in this journal
SteadyRanked #15 of 165 articles by views in religions
Most read
Least read
Bar heights use a square-root scale. Only the 120 most-read articles are drawn; the journal has 165 in total.
Mint this article as an NFT
Not yet mintedCreate a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.
5
SUSD
one-off · no wallet required
Abstract
In the dramas of Shakespeare, the madman and the fool speak in prose; wisdom and sanity are properly poeticised. King Lear is no exception: I go some way in providing a theological notation to a crucial moment of Lear’s descent into madness, the fracturing of his blank verse into prose. Is the storm on the heath a representation of the turmoil of his mind? Or is it a theophany, the manifestation of divine displeasure at human foolishness? Finding between the verse and the prose the theological tradition of Christianity will allow us to negotiate this question and to understand a little more clearly the peculiar wisdom of poetry for Christianity.
| Reference Key |
hackett2017andreligions
Use this key to autocite in the manuscript while using
SciMatic Manuscript Manager or Thesis Manager
|
|---|---|
| Authors | Hackett, William C.; |
| Journal | religions |
| Year | 2017 |
| DOI |
DOI not found
|
| URL | |
| Keywords |
Citations
No citations found. To add a citation, contact the admin at info@scimatic.org
Comments
No comments yet. Be the first to comment on this article.