The Truth (?) of Wartime Rape: Memory, Form, and Meaning in Helke Sander's and Wojciech Tochman's .

Clicks: 284
ID: 47624
2019
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Abstract
This article analyzes the representational strategies used to show, narrate, and contextualize sexual violence during past military conflicts in Helke Sander's 1992 documentary film () and Wojciech Tochman's 2010 reportage (). My comparative analysis of the formal strategies used by Sander and Tochman to effectively diminish various modes of "historical distance" serves to promote a discussion on the potential of each medium to evoke empathetic understanding of the trauma of wartime rape victims in the present.
Reference Key
sokoowskapary2019theviolence Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Sokołowska-Paryż, Marzena;
Journal violence against women
Year 2019
DOI
10.1177/1077801219869546
URL
Keywords
trauma documentary gendercide mass rape reportage the rwandan genocide the second world war

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