Al-Mu˓tadd y el puente de Alcántara (Cáceres)

Clicks: 334
ID: 46537
2006
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This article has not been analysed, so there is no overall score — reader engagement is measured and shown alongside.
AI Quality Assessment
Not analyzed
Readership in this journal
Star

Ranked #1 of 3 articles by views in melanges de la casa de velazquez

Most read Least read

Bar heights use a square-root scale.

Mint this article as an NFT
Not yet minted

Create a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.

5 SUSD one-off · no wallet required
Abstract
Following a review of the historiographic literature which attempts to explain how the important body of Arab graffiti on the bridge of Alcántara (Cáceres) could have been forgotten since its discovery in the mid-19th century, this article focuses on the most important known inscription. Much of the analysis is devoted to proving the authenticity of the warlike episode that it narrates, backed up by numismatic and documentary sources. Two particularly important elements examined in that process are the role of Prince ˓abbādíal-Mu˓tadd and the implications of the laqab with which he is cited. In a word, in both form and substance this article is of great interest as a source of historical information on the period and undoubtedly constitutes an advance in the currently ongoing study of the rest of this body of epigraphs.
Reference Key
gilotte2006almutaddmlanges Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Gilotte, Sophie;
Journal melanges de la casa de velazquez
Year 2006
DOI
DOI not found
URL
Keywords

Citations

No citations found. To add a citation, contact the admin at info@scimatic.org

No comments yet. Be the first to comment on this article.