Le street art a-t-il toujours / n’a-t-il jamais existé ?
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2016
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Abstract
To give a definition of what one calls « street art » today is a very complex issue because one ranks under this name some art (or no-art ?) forms that ultimately just had in common the fact of being produced in situ, « in the street ». A reading of the diversity of these productions, from the earliest times until the explosion of « collages », « stencils » and other « graffiti » as well as of their corollaries since the 1960s will justify the ambiguity of the question in our title. This ambiguity is heightened by the two words « art » and « street » joined in a vague generic term that forces us to ask ourselves the concepts of « art », « low art », « high art », « ratification », and of the loss of sense because of the institutional and market recognition of those practices initially considered as criminal acts and therefore condemnable by law.
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| Reference Key |
gerini2016lecahiers
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| Authors | Gerini, Christian; |
| Journal | cahiers de narratologie |
| Year | 2016 |
| DOI |
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| Keywords |
Education
Biology (General)
Science
anthropology
social sciences
philology. linguistics
language and literature
sociology (general)
special aspects of education
latin america. spanish america
geography. anthropology. recreation
history of education
slavic languages. baltic languages. albanian languages
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