Throw Yo' Voice Out: Disability as a Desirable Practice in Hip-Hop Vocal Performance

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ID: 44452
2014
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Abstract
Disabled bodies and disabling spaces— especially the recording studio— shape the sound iconicity of hip-hop vocal performances. The disabled voice is the audible sign by which hip-hop artists trouble cultural definitions of the self and other; exceptionalism and failure; the natural and techno-mediated; comedy and tragedy; and aesthetic play and seriousness. Hip-hop vocal performances also function as self-conscious acts of transvaluation that challenge the discursive dominance of ableism. A materialist approach to vocal performance resists reducing voice to a silent metaphor for race, oppositionality, or liberation; and it emphasizes, instead, the physiological and social processes that render hip-hop voices unique, particular, and audible. It emphasizes the agency hip-hop artists possess in seeking out disabled bodies and assuming disabled identities for aesthetic and political ends. Thus, the body is returned to the analysis of style.
Reference Key
porco2014throwdisability Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Porco, Alex S.;
Journal disability studies quarterly
Year 2014
DOI
DOI not found
URL
http://dsq-sds.org/article/view/3822
Keywords
Medicine Literature (General) Science psychology social sciences (general) social sciences philology. linguistics language and literature philosophy (general) fine arts arts in general english literature visual arts american literature

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