Bollywood and Hindutva: A Critical Analysis of Alauddin Khilji's Portrayal in Padmaavat (2018)

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ID: 335685
2024
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Abstract
This article critically analyses the portrayal of Alauddin Khilji in the 2018 Bollywood film Padmaavat, examining it within the context of the rise of Hindutva ideology in India. By situating the film within the historical and socio-political landscape of contemporary India, the study explores how the film's representation of Khilji aligns with and reinforces Hindutva's narratives. Employing a textual analysis of the film, the research investigates the visual and narrative elements that contribute to the construction of Khilji as a barbaric, lustful, and deviant "other." The study also delves into the historical context of Alauddin Khilji's reign, comparing it with his portrayal in the film. Through this analysis, the article seeks to answer how Padmaavat contributes to the broader political discourse in India and how its representation of history intersects with contemporary identity politics. The article concludes that the film's portrayal of Khilji is not merely a creative interpretation but a deliberate political statement that aligns with the Hindutva project of constructing a monolithic Hindu identity against the Muslim "other". The article highlights the importance of critical media literacy and recommends a nuanced understanding of historical narratives, particularly in the context of South Asian communal politics. By analysing Padmaavat's portrayal of Khilji, the research sheds light on the complex interplay between cinema, history, and politics, offering valuable lessons for both India and Pakistan in navigating historical narratives and fostering a more inclusive society.
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Authors Muhammad Afzal Faheem
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Journal Pakistan Languages and Humanities Review
Year 2024
DOI
10.47205/plhr.2024(8-III)54
URL
https://ojs.plhr.org.pk/journal/article/view/1041
Keywords Keywords not found

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