Transnational Cinematic Islamophobia A Discourse and Semiotic Analysis of Muslim Representation in Global Film Industries

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ID: 310722
2025
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Abstract
Cinema operates as a powerful apparatus for ideological production, frequently shaping collective consciousness through dominant visual and narrative frameworks. This study examines the global proliferation of Islamophobic imagery across cinema industries, including Hollywood, Bollywood, European, and Muslim-majority national cinemas, particularly in the post-9/11 socio-political landscape. Employing Critical Discourse Analysis (CDA), visual semiotics, and narrative theory, this research deconstructs seven ideologically significant films: The Kashmir Files, Padmaavat, American Sniper, The Dictator, Khalifah, and Ne m’abandonne pas.
Reference Key
imported_1768943736_696ff078dccf5 Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Naseer M
Journal International Journal of Science and Social Science Research
Year 2025
DOI
10.5281/zenodo.16537609
URL
https://www.ijsssr.com/j/article/view/426
Keywords Keywords not found

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