Brecht’s Dramaturgy and The Indian Scenario

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ID: 310377
2023
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Abstract
This paper draws its refrain from the ideas of Brecht vis-à-vis the Indian context Brecht always suffered the fact that he gets worked up to work for the people not to shake them off from their arm chair. Both Tendulkar and Karnad followed this dictum to the core as the so-called aficionados who come to watch their dramas could keep their hats on which watching their dramas. They never treated their audience as a bunch of simpletons. They appealed to reason. They help build bridges. At times bridging worlds, at times a bridge built across seeming differences, at times throwing’ hybridity, at other times jutting the irreconcilables, in short ‘unconcealing’ through the ‘thingness’ of things. The lived-in life of imprisoned ancestors has a story to tell, re-narrate, for the woes that confront apparently liberated grandchildren may very well be said to be a product of a faulty repossession or in the event of no such fault found, onus then be deemed due to a superstructure that was not constructed in accordance to spatio-temporal realities.
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imported_1768931258_696fbfba12958 Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Gullapelly Praveen Kumar
Journal International Journal of Science and Social Science Research
Year 2023
DOI
10.5281/zenodo.13375417
URL
https://www.ijsssr.com/j/article/view/17
Keywords Keywords not found

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