Liturgy and Musical Inculturation in a Post-Apartheid South African Catholicism
Clicks: 2
ID: 309041
2022
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This
article has not been analysed, so there is no overall score —
reader engagement is measured and shown alongside.
Reader Engagement
Popular Article
0.3
/100
2 views
0 readers
AI Quality Assessment
Not analyzed
Readership in this journal
PopularRanked #26 of 37 articles by views in Yale Journal of Music & Religion
Most read
Least read
Bar heights use a square-root scale.
Mint this article as an NFT
Not yet mintedCreate a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.
5
SUSD
one-off · no wallet required
Abstract
There is a developing trend within mainstream South African Churches to incorporate styles of traditional African music and cultural elements in liturgical functions. This is happening in places where such ideas were hitherto unwelcome because mission churches witnessed the denigration of indigenous African cultures by Europeans during the eras of both colonialism and apartheid. Inculturation Theology underscores the current drive for liturgical transformation. It comprises a part of Black Theology in South Africa, which developed as an intellectual framework for liberation during the time of the anti-apartheid struggles. Using the ethnographic study of the cultural mass at Emmanuel Cathedral in Durban, I suggest that through liturgy and musical inculturation, modern Zulu Christians are reinventing their indigenous cultural forms, which previously had been suppressed in the mission churches. I argue further that Zulu Christians use the process of liturgy and musical inculturation to articulate their religious experience as African people, as well as fulfill their aspirations to maintain their Christian heritage without losing their African and Zulu identities.
| Reference Key |
openalex_W4212869455
Use this key to autocite in the manuscript while using
SciMatic Manuscript Manager or Thesis Manager
|
|---|---|
| Authors | Austin C. Okigbo |
| Journal | Yale Journal of Music & Religion |
| Year | 2022 |
| DOI |
10.17132/2377-231x.1190
|
| URL | |
| Keywords | Keywords not found |
Citations
No citations found. To add a citation, contact the admin at info@scimatic.org
Comments
No comments yet. Be the first to comment on this article.