Buddhism as Performing Art: Visualizing Music in the Tibetan Sacred Ritual Music Liturgies
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ID: 308139
2015
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Abstract
The eleventh-century Tibetan female ascetic, Machik Labdrön (1055-1153), developed a Vajrayāna (Tantric) Buddhist meditation method called Chöd (Tib. gCod, Eng. "to cut") and associated ritual practices as a means of eliminating "self-grasping," which is defined as the mistaken instinct of regarding one's "self" and all phenomena as intrinsically, or independently, existent. Her musical-meditation method became renowned across Central Asia during her lifetime, and Chödritual practices and liturgies have been transmitted from teacher to disciple in unbroken lineages until today. The ritual is now well known globally, with Tibetan Lamas, nuns, and empowered exponents teaching widely, across a transnational Diaspora, to Tibetan Buddhists engaging in the practice.
| Reference Key |
openalex_W1991605614
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|---|---|
| Authors | Jeffrey W. Cupchik |
| Journal | Yale Journal of Music & Religion |
| Year | 2015 |
| DOI |
10.17132/2377-231x.1010
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| URL | |
| Keywords | Keywords not found |
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