A Sunlit Ambience: How Reverb Pedals Influence the Contemporary Worship Music Imagination

Clicks: 19
ID: 304669
2025
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This article has not been analysed, so there is no overall score — reader engagement is measured and shown alongside.
AI Quality Assessment
Not analyzed
Readership in this journal
Steady

Ranked #5 of 37 articles by views in Yale Journal of Music & Religion

Most read Least read

Bar heights use a square-root scale.

Mint this article as an NFT
Not yet minted

Create a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.

5 SUSD one-off · no wallet required
Abstract
With the recent proliferation of scholarship on the musical elements of Contemporary Worship Music (CWM) in addition to ethnographies exploring the tradition's inner machinations, readers now enjoy unprecedented levels of insight into the actions of human actors and their music. But what of CWM's non-human actors? Could the instruments and musical equipment used by CWM practitioners, for example, impact evangelical piety? In this article, I entertain this question by arguing that the materiality of reverb pedals—devices used by guitarists to add artificial reverberation to their sound—influences how evangelicals conceptualize elements of their faith by introducing new imagery or enriching pre-existing conceptual tropes.
Reference Key
openalex_W4415104264 Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Dylan Crosson
Journal Yale Journal of Music & Religion
Year 2025
DOI
10.17132/2377-231x.1296
URL
Keywords Keywords not found

Citations

No citations found. To add a citation, contact the admin at info@scimatic.org

No comments yet. Be the first to comment on this article.