Feminine Endings: Music, Gender, and Sexuality

Clicks: 1
ID: 302602
1992
Article Quality & Performance Metrics
Overall Quality
0.0 /100
Combines engagement data with AI-assessed academic quality
AI Quality Assessment
Not analyzed
Abstract
A groundbreaking collection of essays in feminist music criticism, this book addresses problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performance art. . . this is a major book . . . [McClary's] achievement borders on the miraculous. The Village VoiceNo one will read these essays without thinking about and hearing music in new and interesting ways. Exciting reading for adventurous students and staid professionals. ChoiceFeminine Endings, a provocative 'sexual politics' of Western classical or art music, rocks conservative musicology at its core. No review can do justice to the wealth of ideas and possibilities [McClary's] book presents. All music-lovers should read it, and cheer. The Women's Review of BooksMcClary writes with a racy, vigorous, and consistently entertaining style. . . . What she has to say specifically about the music and the text is sharp, accurate, and telling; she hears what takes place musically with unusual sensitivity.-The New York Review of Books
Reference Key
openalex_W2335497903 Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Claire Detels, Susan McClary
Journal journal of aesthetics and art criticism
Year 1992
DOI
10.2307/431414
URL
Keywords Keywords not found

Citations

No citations found. To add a citation, contact the admin at info@scimatic.org

No comments yet. Be the first to comment on this article.