Aesthetic Meaning in the Congregational Masses of James MacMillan
Clicks: 1
ID: 299999
2016
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This
article has not been analysed, so there is no overall score —
reader engagement is measured and shown alongside.
Reader Engagement
0.0
/100
1 views
0 readers
AI Quality Assessment
Not analyzed
Readership in this journal
Ranked #37 of 37 articles by views in Yale Journal of Music & Religion
Most read
Least read
Bar heights use a square-root scale.
Mint this article as an NFT
Not yet mintedCreate a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.
5
SUSD
one-off · no wallet required
Abstract
Examines the interconnetions between MacMillan's congregational masses and other works by the composer. The compositional and philosophical commonalities between paired compositions deepens the philosophical and aesthetic meaning of both works. An understanding of these parallels and the manner in which they are worked out in practice provides an important insight into the composer's intentions, making the performance of the masses within the context of the worship service more relevant to the spiritual experience of the congregant and provides insight into the interconnectivity of MacMillan's compositional output.
| Reference Key |
openalex_W2297175863
Use this key to autocite in the manuscript while using
SciMatic Manuscript Manager or Thesis Manager
|
|---|---|
| Authors | Stephen Kingsbury |
| Journal | Yale Journal of Music & Religion |
| Year | 2016 |
| DOI |
10.17132/2377-231x.1014
|
| URL | |
| Keywords | Keywords not found |
Citations
No citations found. To add a citation, contact the admin at info@scimatic.org
Comments
No comments yet. Be the first to comment on this article.