The fly-by-night ustad: Problems of music education in North India, 1863–1915

Clicks: 1
ID: 288839
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This article has not been analysed, so there is no overall score — reader engagement is measured and shown alongside.
AI Quality Assessment
Not analyzed
Readership in this journal

Ranked #1,166 of 1,244 articles by views in ADVANCES IN ARCHAEOLOGICAL PRACTICE

Most read Least read

Bar heights use a square-root scale. Only the 120 most-read articles are drawn; the journal has 1,244 in total.

Mint this article as an NFT
Not yet minted

Create a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.

5 SUSD one-off · no wallet required
Abstract
In the middle of the nineteenth century in cities and towns across North India a popular craze for the sitar drove untold numbers of amateur enthusiasts to seek instruction in Hindustani raga music from the only available source: the Muslim hereditary professional performers known as ustads. A long record of statements excoriating the ustads has generally been dismissed by contemporary scholars as colonially inspired propaganda that served a Hindu identitarian vision of music reform and institution-building for the incipient nation. This article accesses a collection of Urdu-language music instruction texts produced between 1863 and 1915 to offer a contrasting interpretation: the depiction of ustads as ignorant, ill-mannered, and addicted is propounded first and foremost by Muslim authors unconcerned with nationalism, but invested in opening the Hindustani music tradition to the uninitiated amateur. Close readings of narrative anecdotes from these texts alongside the 1910 and 1914 Marathi-language works of famed scholar and music reformer Vishnu Narayan Bhatkhande (1860–1936) reveal a continuity of concerns across language, region, and religious community. Bhatkhande and the earlier Urdu authors share not only their frustration with the half-trained and ill-behaved ‘fly-by-night’ ustad, but also their reverence for the masterful ustads whose reputations were threatened by the unchecked presence of charlatans in their midst.
Reference Key
persistent_1761421840_68fd2a1062c44 Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Max Katz
Journal ADVANCES IN ARCHAEOLOGICAL PRACTICE
Year Year not found
DOI
10.1017/S0026749X25000095
URL
Keywords Keywords not found

Citations

No citations found. To add a citation, contact the admin at info@scimatic.org

No comments yet. Be the first to comment on this article.