The Rhetoric of Revolution in Armah's The Healers: Form as Experience*
Clicks: 1
ID: 288691
1993
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This
article has not been analysed, so there is no overall score —
reader engagement is measured and shown alongside.
Reader Engagement
0.0
/100
1 views
0 readers
AI Quality Assessment
Not analyzed
Readership in this journal
Ranked #995 of 1,244 articles by views in ADVANCES IN ARCHAEOLOGICAL PRACTICE
Most read
Least read
Bar heights use a square-root scale. Only the 120 most-read articles are drawn; the journal has 1,244 in total.
Mint this article as an NFT
Not yet mintedCreate a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.
5
SUSD
one-off · no wallet required
Abstract
The Healers, Ayi Kwei Armah's most recent novel (1978), has received less critical attention than it deserves given the importance of its theme—the sociopolitical liberation of Africa—and the compelling textual strategies it deploys towards that end. What scanty criticism it has attracted has concentrated only on the novelist's social vision, with the debates centering on the degree of faithfulness to the historical materials on which he bases his novel. Nevertheless, without due attention paid to the rhetoric, the peculiar idea of revolution that Armah advocates cannot be grasped fully. By rhetoric is meant the linguistic strategies employed by the writer to put his ideas forward-his style, the use of aesthetic means for achieving desired effects on the reader. This essay attempts to redress the picture and demonstrate the aesthetic elements that give Armah's novel its special stridency.While it is true, as many critics have pointed out (Lindfors 1980, 91; Fraser 1980, 83-86; Wright 1989, 244-47), that The Healers uses the fall of the Ashanti empire in the 19th century as a paradigm of how other African societies were undermined during the period of Western imperialist incursions into the continent, fidelity to that history itself should never be at issue. Rather, since Armah is a novelist (and not a historian), of greater significance should be the quality of his imaginative use of the past for the purpose of furthering present sociopolitical objectives. If, as he has stated, “the human value of literature, after all, lies primarily in the interactions it makes possible between the way we live and the way we think-between our existence and the reflections we make of and on that existence,” it would not be inapposite to demand of the critics that they use “a high level of knowledge about technique, a craft, an art” (Armah 1985,356) to bring out the writer's total vision, his textual strategies, through aesthetic evaluations.
| Reference Key |
persistent_1761421307_68fd27fb346e7
Use this key to autocite in the manuscript while using
SciMatic Manuscript Manager or Thesis Manager
|
|---|---|
| Authors | Ode S. Ogede |
| Journal | ADVANCES IN ARCHAEOLOGICAL PRACTICE |
| Year | 1993 |
| DOI |
10.2307/525507
|
| URL | |
| Keywords | Keywords not found |
Citations
No citations found. To add a citation, contact the admin at info@scimatic.org
Comments
No comments yet. Be the first to comment on this article.