Clicks: 3
ID: 288089
2025
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Ranked #147 of 1,244 articles by views in ADVANCES IN ARCHAEOLOGICAL PRACTICE

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Abstract
Haydn scholarship has mirrored recent trends in musicological research with an increased interest in the cultural context and reception of his music, though he has not received the sustained consideration given to other canonical figures. Over the past decade, more consideration has been paid to Haydn's operas and oratorios which previously tended to be eclipsed by his chamber and orchestral music. These new perspectives are the focus of this collection which showcases recent approaches and allows us to re-evaluate the long-held notion that Haydn's era marked the rise of the concept of autonomous musical works. This book enriches understanding of cultural contexts in which Haydn's music is being understood, providing models for future contextual studies and allows for a more historically responsive understanding of his works. It includes analysis of less well-known compositions, especially the oratorio Il Ritorno di Tobia, Orfeo and the late canons, but also of works like the London Symphonies and The Creation.
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persistent_1761420343_68fd24374d761 Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors
Journal ADVANCES IN ARCHAEOLOGICAL PRACTICE
Year 2025
DOI
10.1017/9781009337151
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