The Haskell School of Music: From Signals to Symphonies

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ID: 287869
2018
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Ranked #582 of 1,244 articles by views in ADVANCES IN ARCHAEOLOGICAL PRACTICE

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Abstract
This book explores the fundamentals of computer music and functional programming through the Haskell programming language. Functional programming is typically considered difficult to learn. This introduction in the context of creating music will allow students and professionals with a musical inclination to leverage their experience to help understand concepts that might be intimidating in more traditional computer science settings. Conversely, the book opens the door for programmers to interact with music by using a medium that is familiar to them. Readers will learn how to use the Euterpea library for Haskell (http://www.euterpea.com) to represent and create their own music with code, without the need for other music software. The book explores common paradigms used in algorithmic music composition, such as stochastic generation, musical grammars, self-similarity, and real-time interactive systems. Other topics covered include the basics of signal-based systems in Haskell, sound synthesis, and virtual instrument design.
Reference Key
persistent_1761420007_68fd22e732236 Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Donya Quick
Journal ADVANCES IN ARCHAEOLOGICAL PRACTICE
Year 2018
DOI
10.1017/9781108241861
URL
https://www.cambridge.org/core/books/haskell-school-of-music/6B377BCD40386E9D27EB93FC2F3B13FB
Keywords Keywords not found

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