Cuerpo, mestizaje y colonialidad: La alteridad de las mujeres trans en las muestras fotográficas Padre Patria y Vírgenes de la Puerta/ « Area Studies# « Cambridge Core Blog
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Abstract
The photographic series “Padre Patria” (2014) and “Vírgenes de la Puerta” (2014), by Juan José Barboza-Gubo and Andrew Mroczek, offer a visual narrative of hate crimes against the LGBTI community in different parts of Peru. This article highlights the political dimension of this photographic project and its dual purpose. On one hand, it makes visible
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