Because kasi: An online comedy news show
Clicks: 2
ID: 285406
2024
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This
article has not been analysed, so there is no overall score —
reader engagement is measured and shown alongside.
Reader Engagement
Emerging Content
0.3
/100
2 views
0 readers
AI Quality Assessment
Not analyzed
Readership in this journal
EmergingRanked #1,139 of 3,757 articles by views in Malay Journal
Most read
Least read
Bar heights use a square-root scale. Only the 120 most-read articles are drawn; the journal has 3,757 in total.
Mint this article as an NFT
Not yet mintedCreate a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.
5
SUSD
one-off · no wallet required
Abstract
Because Kasi intends to dissect and humorously comment on issues of the day that deserve more attention. With increasing distrust in traditional media, the project attempts to cater to the tastes of Gen Z and serve as a jumping off point into further understanding of societal problems. The pilot tackles the network of misogynistic creators and communities known as The Manosphere. The phenomena is a modern re-tread of the men’s rights movements of the 20th century that sought to stifle the efforts of feminists. With the internet providing a larger platform for potential bad actors, many have chosen to prey on an epidemic of isolated young men to proliferate their anti-woman beliefs and profit in the process. The project serves as a pilot to establish the potential format and style of the series. The first of two (2) pre-recorded segments consisted of ambush interviewing Lasallians for thoughts and reactions on the main topic. The second segment was an interview with DLSU faculty, Mx. Rodmar Eda. The segment sought a sociological perspective on the phenomenon of toxic masculinity and the appeal of the Manosphere. A monologue was produced to provide more context and information on the issue, accompanied by a variety of visuals and audio consisting of news reports, research, and internet memes to enhance the content’s presentation. The show’s intro was a series of skits set to the music of local independent artist The Palomas. Subtitles in English that include translations of Filipino words and phrases were implemented to assist in verbal clarity and bridge any gaps in a viewer’s proficiency in the latter language. The project was produced in-person, pre-recorded segments filmed on-location, and the monologue being shot in front of a live studio audience.
MP4 Format. Uploaded to YouTube.
| Reference Key |
persistent_1760655510_68f17896d5d6f
Use this key to autocite in the manuscript while using
SciMatic Manuscript Manager or Thesis Manager
|
|---|---|
| Authors | Olalia, Whaqyn Miguel D. |
| Journal | Malay Journal |
| Year | 2024 |
| DOI |
DOI not found
|
| URL | |
| Keywords | Keywords not found |
Citations
No citations found. To add a citation, contact the admin at info@scimatic.org
Comments
No comments yet. Be the first to comment on this article.