Transfiguration: An experimental short film on body dysmorphia’s interplay with the toxic interpretations of religion in Filipino culture
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ID: 285395
2024
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Abstract
Transfiguration is an avant-garde non-linear short film that deals with the exploration of body dysmorphia manifested through three intricately woven short films. Each narrative unveils individuals consumed by the relentless pursuit of physical perfection, ultimately succumbing to the abyss of their own distorted reflections. As the characters spiral into madness, the film transcends mere portrayal, delving deep into the psyche of societal constructs.
At its core, "Transfiguration" challenges viewers to confront the roots of body dysmorphia within the fabric of human existence. It boldly questions the origins of societal standards of beauty and perfection, tracing them back to ancient depictions of religious iconographies. From the chiseled physique of Jesus to the ethereal beauty of Mother Mary, these representations have ingrained themselves as benchmarks of aesthetic excellence.
Moreover, the film draws parallelisms between historical interpretations of divinity and contemporary ideals perpetuated. It provokes introspection, asking whether we, as a society, are culpable for perpetuating unattainable standards across generations. To aesthetically marry these themes, the film was created through an analog format that combines a filmic-look, and shot using MiniDV and Hi-8 tapes respectively.
Through its innovative narrative structure and evocative symbolism, "Transfiguration" serves as a poignant commentary on the human condition. It challenges viewers to interrogate the very foundations of beauty and perfection, urging us to redefine our perceptions and liberate ourselves from the shackles of societal expectations.
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| Authors | Hocson, Gonzalo A. |
| Journal | Malay Journal |
| Year | 2024 |
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| Keywords | Keywords not found |
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