Andrei Matveev: Painting Allegory from Antwerp to Russia

Clicks: 129
ID: 277846
2024
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This article has not been analysed, so there is no overall score — reader engagement is measured and shown alongside.
AI Quality Assessment
Not analyzed
Mint this article as an NFT
Not yet minted

Create a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.

5 SUSD one-off · no wallet required
Abstract
In 1725, artist Andrei Matveev sent his Allegory of Painting to Catherine I from Antwerp, where Peter the Great had sent him to study. Matveev’s Allegory remains the earliest known easel painting on an allegorical subject by a Russian painter. This article examines the circumstances surrounding the painting’s creation in Antwerp and explores its iconography and sources. It then considers the place of Matveev’s work amid the allegorical imagery produced in early eighteenth-century Russia. This study offers a possible new interpretation of the painting and sheds light on the role Antwerp and its artistic legacy played in fostering Russia’s emerging artistic culture.
Reference Key
samu2024andrei Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Samu, Margaret;
Journal Вивліоѳика
Year 2024
DOI
DOI not found
URL
Keywords

Citations

No citations found. To add a citation, contact the admin at info@scimatic.org

No comments yet. Be the first to comment on this article.