ronsard et la verve licencieuse

Clicks: 262
ID: 260005
2014
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Abstract
L’errance discursive définit le Discours des misères de ce temps et sa suite comme une nette expérience rhétorique du baroque. Cette œuvre est un pot-pourri de fragments épars où s’entrelacent description, affabulation, supplications et remontrances. Mais cet éclatement des registres ne signifie nullement que, contrairement à ses œuvres antérieures, Ronsard est sans art quand il écrit contre les guerres de religions : cette idée s’absout avec l’éloquence de la prédication, l’ironie ainsi que les jeux de contrastes frappants dirigés contre les réformés. Summary : Wandering discursive defines the Discours des misères de ce temps and its sequel as a net experience baroque rhetoric. This work is a potpourri of scattered fragments intertwining description, fabrication, supplications and remonstrances. But this break records does not mean that, contrary to his earlier works, Ronsard is not art when he wrote against the religious wars: the idea is absolved with the eloquence of preaching, irony and games striking contrasts directed against the Protestants.
Reference Key
ndong2014voixronsard Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Sangoul Ndong
Journal molecular catalysis
Year 2014
DOI
DOI not found
URL
http://brock.scholarsportal.info/journals/voixplurielles/article/view/1106
Keywords
conversation irony pragmatic

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