essays on art in venezuela (ramón de la plaza, 1883): an ethnohistorical musical perspective
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ID: 256213
2016
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Abstract
General Ramon Plaza Manrique (1831-1886), distinguished character of the Caracas elite, published in 1883 a collection of essays which offered a wide panorama of the art in Venezuela, including music. One of the most interesting sections is about the indigenous world, abounding in details regarding the unequivocal origin of pre-Hispanic music. The treatment of topics, the references to old sound systems, the comparison as study method and, in general terms, the background of the ideas reveal a world of shades that can be approached from new perspectives. Interdisciplinarity enables the exchange of glances adapted to the times, allowing extensive understanding of objects of study such as music; in the case of ethno-history, whose objectives are achieved thanks to the parallel deployment of the methodology of ethnography and history sciences. In this paper a canonical text of the Venezuelan and Latin American musical historiography is analyzed in order to update its approaches through an ethno-historical musical bias.
| Reference Key |
bolvar2016el<i>essays
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|---|---|
| Authors | ;José Ángel Viña Bolívar |
| Journal | journal of testing and evaluation |
| Year | 2016 |
| DOI |
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| Keywords | Keywords not found |
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