murmurs of globalized culture: thoughts on the film historias mínimas rumores de uma cultura mundializada: reflexões sobre o filme histórias mínimas

Clicks: 111
ID: 251219
2010
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Abstract
Carlos Sorín’s film Historias Mínimas is set in Argentina’s Patagonia region and tells three somewhat interlocking stories about inhabitants of the mall village of Fitz Roy travelling to the city of San Julián. In this article, the author examines the film genre known as the road movie on the one hand, and on the other the phenomenon of interculturality that it seems to promote. Despite the fact that Historias Mínimas does not stand up to both analyses – from the point of view of the scale of characters’ travels, it cannot be seen as a “classic” road movie, and from the point of view of its intercultural situations, it can not be entirely classified as an intercultural road movie either – the film is compatible with the genre to the extent that it presents the same compositional matrix and makes possible an analysis of interculturality in this modern form, brought about by globalizing forces and their worldwide flow of images, ideas and technologies, in addition to the classic flows of money, merchandise and people. Key-words : road movie, interculturality, globalization Histórias Mínimas, do cineasta Carlos Sorín, que tem como cenário a Patagônia argentina, narra três histórias ligeiramente cruzadas entre habitantes da região em deslocamento entre a pequena vila de Fitz Roy e a cidade de San Julián. Este estudo, através do filme escolhido, tem por objetivo analisar, de um lado, o gênero cinematográfico conhecido como road movie e, de outro, o fenômeno da interculturalidade que o gênero parece favorecer. Apesar da atipicidade de Histórias Mínimas para as duas análises – do ponto de vista da escala dos deslocamentos o filme não pode ser considerado um road movie “clássico” e do ponto de vista das situações de interculturalidade ele também não pode ser rapidamente classificado como road movie intercultural −, o filme se revela compatível com o gênero, na medida em que apresenta a mesma matriz composicional e permite, ainda, a análise do fenômeno intercultural em sua forma moderna provocada pelos processos globalizadores e seus fluxos mundiais de imagens, idéias e tecnologias, além dos clássicos fluxos de dinheiro, mercadorias e pessoas. Palavras-chave: road movie, interculturalidade, mundialização
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brando2010galxiamurmurs Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Ludmila Lima Brandão
Journal sudanese journal of paediatrics
Year 2010
DOI
DOI not found
URL
http://revistas.pucsp.br/index.php/galaxia/article/view/2305
Keywords
language and literaturephilology mass media linguisticscommunication

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