pedro roldán y la escultura sevillana del último seiscientos: reflexiones en torno a un calvario disperso
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Abstract
Se estudian dos esculturas de madera policromada de San Juan y la Dolorosa conservadas en el Museo de la Casa de los Pisa de Granada. Por coincidencia de estilo, técnica y formato, se propone como hipótesis de trabajo que ambas imágenes hubieran formado un Calvario junto a un Crucificado procedente del hospital de San Juan de Dios de la localidad gaditana de El Puerto de Santa María, al tiempo que se vincula todo el conjunto con el obrador sevillano de Pedro Roldán.
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luque2012cuadernospedro
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| Authors | ;Manuel García Luque |
| Journal | Bioorganic chemistry |
| Year | 2012 |
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