o memorial de aires e a abolição

Clicks: 228
ID: 247768
2007
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Abstract
O artigo sugere que o Memorial de Aires, último romance de Machado de Assis, tem na conivência de classe do narrador seu princípio de composição fundamental. Procura-se demonstrar que, longe de ser obra de um escritor absenteísta, o livro registra uma visão desencantada da Abolição - mais lúcida e profunda que a dos apologistas do 13 de Maio.
The article proposes that Memorial de Aires, Machado de Assis' last novel, has in the social connivance of the narrator its main compositional principle. It attempts to demonstrate that, far from being a work of an absentee novelist, the novel presents a disenchanted view of the Abolition in Brazil - a more profound and lucid one than that of the apologists of the Thirteenth of May.
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fragelli2007novoso Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Pedro Coelho Fragelli
Journal journal of biogeography
Year 2007
DOI
10.1590/S0101-33002007000300010
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