the concept of image-presence in the art of the middle ages

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ID: 243826
2011
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Ranked #45 of 324 articles by views in Dalton transactions (Cambridge, England : 2003)

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Abstract
This article aims to contextualize the main currents in the interpretation of medieval images, underlining to appearance of an original matrix of thought, thinking through art, between 1950 and 2000. At the heart of the new épistémè, the concept of image-presence is put forward and it is discussed on the basis of three examples dated between the year 1000 and c. 1450 and through and interdisciplinary dialogue with social anthropology and the philosophy science.
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russo2011revistathe Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Daniel Russo
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Journal Dalton transactions (Cambridge, England : 2003)
Year 2011
DOI
10.11606/issn.2316-9141.v0i165p37-72
URL
http://www.revistas.usp.br/revhistoria/article/view/19210
Keywords
spanish america imagem história intelectualhistory (general)latin america

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