dj mini and montreal’s vulgar dance music

Clicks: 116
ID: 240715
2016
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Abstract
This article advances claims about Montreal’s electronic dance music scene through mapping the career of one of the key actors who shaped the electroclash scene from the early 2000s onwards—music producer/DJ Mini (née Evelyne Drouin). By way of detailing the career of DJ Mini, this text attempts to add to the queer musical narratives currently emerging from music scene analyses. Counter to the experiences of many women DJs and musicians participating in heterosexual and male-dominated music scenes, Drouin received extensive mentoring and support from various informal queer social networks spread throughout the circuits of the city. Not only did she gain access to a local production network of equipment and skill sharing, Drouin was also given access to spaces where she was able to develop production skills on her own time and at her own pace. DJ Mini’s story offers a telling case for the ways in which the politics of access—institutional, social, technological—remain central to the vitality and inclusivity of local music scenes.
Reference Key
madden2016dancecult:dj Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;David Madden
Journal archaea
Year 2016
DOI
DOI not found
URL
https://dj.dancecult.net/index.php/dancecult/article/view/644
Keywords
music

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