the rhetoric of seduction, the aesthetics of waste, and ecopornography in edward burtynsky’s shipbreaking
Clicks: 270
ID: 230142
2016
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This
article has not been analysed, so there is no overall score —
reader engagement is measured and shown alongside.
Reader Engagement
Emerging Content
30.0
/100
270 views
32 readers
AI Quality Assessment
Not analyzed
Readership in this journal
EmergingRanked #3 of 29 articles by views in Journal of Geography in Higher Education
Most read
Least read
Bar heights use a square-root scale.
Mint this article as an NFT
Not yet mintedCreate a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.
5
SUSD
one-off · no wallet required
Abstract
This article analyzes Edward Burtynsky’s Shipbreaking (2009), a controversial photographic project that inquires into the representation of environmental corruption and economic ex¬ploitation faced by disenfranchised communities. The controversy depends on the incongruity between the aesthetization of the gritty subject matter the photographs exhibit (the waste of the world and human waste) and the artist’s stylistic strategy, which may improperly be seen as an example of ecopornography.
| Reference Key |
fargione2016l'analisithe
Use this key to autocite in the manuscript while using
SciMatic Manuscript Manager or Thesis Manager
|
|---|---|
| Authors | ;Daniela Fargione |
| Journal | Journal of Geography in Higher Education |
| Year | 2016 |
| DOI |
DOI not found
|
| URL | |
| Keywords |
Citations
No citations found. To add a citation, contact the admin at info@scimatic.org
Comments
No comments yet. Be the first to comment on this article.