«pittore degnissimo, & eruditissimo letterato». la grafica di francesco solimena nel momento arcadico / «pittore degnissimo, & eruditissimo letterato» (the worthiest painter and the most learned man of letters). francesco solimena’s graphic art during the arcadian period

Clicks: 190
ID: 225510
2016
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Abstract
Il presente contributo intende riportare l’attenzione sull’attività grafica di Francesco Solimena in una prospettiva rivolta a individuare motivazioni affini alla sodalitas letteraria arcadica, al fine di recuperare nuovi elementi di valutazione, funzionali al raggiungimento di esiti sostanziali sia in senso ripropositivo sia, e soprattutto, in funzione innovativa rispetto ai risultati finora raggiunti. Partendo da un riesame delle relazioni sviluppate nell’ambito delle cerchie arcadiche attive a Napoli e a Roma sono state condotte indagini mirate, rivolte ad apportare chiarimenti alla qualità della ricezione dell’opera solimeniana. Fondamentale è risultato il riferimento alle fonti e ai contributi documentari, in quanto attraverso tale ausilio informativo si è potuto fare il punto su alcuni episodi di committenza, che rimandano a una consuetudine di rapporti mediati dalla comune sensibilità culturale. L’emergere di linee di tendenza non ancora adeguatamente valutate ha indotto a riconsiderare le motivazioni della svolta del Solimena a favore di un purismo formale, affrontando con maggiore chiarezza la ricostruzione di una prassi operativa rivolta a un più severo ripristino dei valori disegnativi e delle sue implicazioni didattiche.   The hereby essay intends to bring back the attention on Francesco Solimena's graphic art in a perspective aimed to identify motivations akin to pastoral literature sodalitas, in order to recover new evaluation elements to reach significant results both in repropositive and, above all, in innovative way compared to the achieved outcomes collected until now. Focused researches were lead in order to clarify the quality of reception of Solimena's work, starting with a re-examination of developed connections in the active pastoral circles in Neaples and Rome. In this essays turns out to be essential the reference to sources and documentary evidences in which it's possible to evaluate some episodes concerning patronage and referring to a custom based relationships mediated by common cultural sensitivity. New trends not yet adequantly judged have induced to reconsider the motivations linked to the Solimena's change in favor a formal purism, dealing with more clarity the reconstruction of an operative practice pointed to a more severe restoration of graphic values and its didactic implications.
Reference Key
lotoro2016il«pittore Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Valentina Lotoro
Journal journal of immunology research
Year 2016
DOI
10.13138/2039-2362/1344
URL
http://riviste.unimc.it/index.php/cap-cult/article/view/1344
Keywords
arts in generalauxiliary sciences of history

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