expanded tonality in quartal space: back to debussy's étude pour les quartes

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ID: 223200
2013
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Abstract
Considering the hypothesis that intervals of fourths work in Debussy's Étude pour les Quartes as an every-level structuring cell, this article proposes a harmonic analysis where all chords are drawn from a twelve-tone quartal space. The hypothesis is that Debussy tests the capacity of the quartal matrix to supersede conventional triadic harmony. On another hand, because of this novel networking, the high-level formal articulation demands complementary resources to be more effective, especially concerning perception. For this reason, in a second phase, an analysis of secondary dimensions, such as density and relative range, is attempted to highlight their function. The conclusion points to "unsolved" interactions between the lower- level harmonic system, which recycles some aspects of the tonal rhetoric, although in an experimental quartal space, and a surface that avoids sensation of both continuity and causality.
Reference Key
guigue2013opusexpanded Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Didier Guigue
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Journal huan jing ke xue= huanjing kexue
Year 2013
DOI
DOI not found
URL
http://www.anppom.com.br/revista/index.php/opus/article/view/147
Keywords
music and books on musicmusic expanded tonality

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