expanded tonality in quartal space: back to debussy's étude pour les quartes
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ID: 223200
2013
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Abstract
Considering the hypothesis that intervals of fourths work in Debussy's Étude pour les Quartes as an every-level structuring cell, this article proposes a harmonic analysis where all chords are drawn from a twelve-tone quartal space. The hypothesis is that Debussy tests the capacity of the quartal matrix to supersede conventional triadic harmony. On another hand, because of this novel networking, the high-level formal articulation demands complementary resources to be more effective, especially concerning perception. For this reason, in a second phase, an analysis of secondary dimensions, such as density and relative range, is attempted to highlight their function. The conclusion points to "unsolved" interactions between the lower- level harmonic system, which recycles some aspects of the tonal rhetoric, although in an experimental quartal space, and a surface that avoids sensation of both continuity and causality.
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guigue2013opusexpanded
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| Authors | ;Didier Guigue |
| Journal | huan jing ke xue= huanjing kexue |
| Year | 2013 |
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